“Drawing is a language like writing or talking, but instead of words, you use graphic elements. At the end you have an image built by codes, and this image describes a situation as any other ways of fiction do.” – Eden Barrena
Eden Barrena is a Spanish artist and recent graduate of MA Printmaking at the Royal College of Art. Drawing is central to her work and practice. In one of her pieces, 400 ways of looking at a magnolio fruit, she drew the same fruit 400 times, quickly and on tiny pieces of paper, before scanning them and creating a gif which she projected in the garden in the night.
She says about drawing: “My strategy is to draw the same thing many times in order to know it well. I keep the speed in order to preserve certain mystery too: the fascination the image provokes me never gets to disappear completely.” (Interview with 1Granary Magazine)
I find Barrena’s drawings full of life and energy – her bold shading and line-making gives out a sense of confidence in her approach. Seeing – seeing – seeing – seeing…
Her drawing style builds up layers upon layers of coloured pencil lines, and these layers work well in printmaking to give her backgrounds a dizzying sense of depth. They also communicate something about process, reminding us that the image is made out of drawings. This is a lithograph from the series Colonia, one of nine prints based on photographs of 20th century colonial Africa.
What I really like about Barrena’s work is the way she has built an entire artistic practice around playfulness and the pursuit of visual pleasure. This is something that I think of as particular to artists who call themselves illustrators, but Barrena doesn’t categorise herself. “In my opinion, art is made from pleasure,” she says, “… and finding pleasure (not only in art, but in life in general) is something we shouldn’t feel guilty about.”
Link to interview with Eden Barrena at 1Granary magazine here.