In my research so far, I’m finding a mixture of artists using linework in lino and those creating pictures from block tones. Ann Lewis’ work rarely uses a graphic, white outline; instead her images are made up of areas and shapes, and depth is built up through the multiple reductions.
Ann Lewis’ prints are inspired by the rural North Wales landscape. I think the medium is well-suited to the rocks and cliff faces, and that the prints of rocks, beaches and mountains are her best. Although the waterfalls are skillful, I don’t like them as much. They don’t capture my eyes like the mountain prints. I think this is because the whole draw and focus of a waterfall is its movement, and the print has frozen it. So I’m not sure where’s the centre I’m drawn to in the image.
I wonder if this is a kind of ‘freeze’ particular to linocut because it makes up an image out of flat planes. In the waterfall prints, I think this flatness works against her. But in the mountain and rock prints, the subjects are rocks, which are all stillness. That is their thing, being still. So the flat, still planes of the reduction method work well with the concept, because they enhance the quality of the subject being represented.
I love the simplicity of this print of cups (Cwpanau bach (small cups)). The pure background. Evening sort of colours. Shadows. Almost seeing the cups as creatures.
Ann Lewis has a very informative website with quite a lot about her inspiration, working methods and the linocut process: www.annlewis.co.uk.
I really like the fact that she writes about her creative process, why she made each picture, why she chose a particular colour scheme, what the place means to her. I think it adds loads to the prints, giving them context, and stories, as well as standing alone as great prints.